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SOUTH INDIES TEXT & MUSIC PUBLISHING

Chrysanthemum Storm Media Pack

Review by NZ vinyl aficionado Grant Smithies.

Review by "Petros".

Advance Publicity One Sheet (pdf)

Streaming of album for review (download available)===Stream/Download===

Insert of lyric sheet Side A containing words and photos (pdf)

Insert of lyric sheet Side B containing words and photos (pdf)

Supplementary Photo of band (jpg, print quality, 300ppi) Live at Mussel Inn. L to R. Andrew McCully, Andrew Maitai, Bill Direen, Brett Cross

Supplementary Photo of band (jpg, web quality, 72ppi) Live at Mussel Inn. L to R. Andrew McCully, Andrew Maitai, Bill Direen, Brett Cross

Supplementary Photo of band (jpg, print quality, 300ppi) in home-studio. L to R: Andrew Maitai, Andrew McCully, Bill Direen, Brett Cross

Front cover image (web quality, 72ppi)

Front cover image (print quality, 300ppi)

 

 

from REVIEW OF CHRYSANTHEMUM STORM by Vinyl aficionado Grant Smithies

Losers Weepers [is] the stand out track for me, if only because it’s the most relatable to someone with my generational disposition. Losers Weepers has that rise and fall that fits the Verse Chorus Verse structure of the Rock songs of my age. That and album opener Nobody’s Fault.  
There are pieces of Pink Floyd-like experimentation. Like the Psychedelic Rock jam without the Psychedelic aspect, with the group in tune to each other’s vibrations enough to not devolve into a free-form Jazz session.  
There are husky voiced Leonard Cohen like stories, narrated by Direen, no doubt a poet in another life. Emotion where emotion is due. A whisky, a cigar and a reverie. Reflections on times and peoples gone by. Songs that are real, not candy coated and auto-tuned, that exist to shift units.  
There are pieces that feel like an observational comedian standing in a bingo hall or dive bar (before they were cool) or empty Honky-Tonk floor, narrating the lives of the patrons. Character Studies and word play and humour. A good synopsis of the album.
I’m not the target audience here, I’m not part of the niche market, but that’s OK. I can find references and relatable aspects in the music that I can enjoy. If you remember the band, you’ll probably enjoy it too, or if you’re from the world before our collective imagination and attention span were wiped clean by the instant gratification streaming music and cellphones provide. If anything it’s got me interested in the documentary I saw advertised, just to see the creative process behind the band, and the man, the legend, Bill Direen.

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